In celebration of the 40th anniversary of campus history, the UTD music faculty held “An Evening of Latin Music.” The concert was performed at the UTD Conference Center on Friday, January 29, 2010. As various ensembles, the faculty themselves performed every pieces of the repertoire, which included six Latino-inspired works composed during the 20th century. The audience composed of students, generally affiliated with music classes, and other music-appreciating guests alike, filled the seats almost completely. The audience was generally enthusiastic throughout the entire concert. The particular performance of How Insensitive and Lamento, composed by Latin American composer Antonio Carlos Jobim, seemed to captivate the audience, especially. The two pieces, which were deeply ingrained in Brazilian tradition, included a piano by Kelly Durbin, an electric guitar by Chris DeRose, a string bass by James Gilyard, and a drum set by Ted Wasser. Together, they presented catchy, samba-like collaboration of beats and rhythms that could urge a listener to move along with the music. In the middle of Lamento, the impressed audience applauded after a drum solo, and a short guitar solo ended the piece with an ovation. Before the intermission, however, the faculty musicians treated the audience with another work of Jobim as an encore performance. This time, two more musicians joined the stage: Winston Stone with his clarinet and Kathryn Evans, a soprano. This piece as well depicted a Brazilian style embedded with clarinet and guitar solos along with the singing voice. All in all, the whole concert was a delight for experiencing an array of Latin American taste of music. I hope their attempt of collecting donations for music scholarship funding turn out to be a success.
Saturday, January 30, 2010
Wednesday, January 27, 2010
Post 2: Proposal for Musical Ethnography of a Dallas Music-Culture
Dallas is indeed a city that provides a variety of fascinating music-culture. I admit I had some struggles trying to come up with one interesting component of the music-cultures of Dallas for my musical ethnography project. I am open to most genres of music, but I know I am a fervent classical music lover. So, when it comes to quality classical music, I cannot help but to think Dallas Symphony Orchestra. I’ve always enjoyed attending their concerts and appreciated their deep passion for the art of music. The Dallas Symphony Orchestra (DSO) is an American ensemble of professional classical musicians with a long history tracing back to the start of the 20th century. With successive leaderships of eminent music directors, the DSO has achieved extensive touring, recording, as well as special community and education concerts. The DSO, currently under the direction of Jaap van Zweden, performs its concerts in the world-renowned Meyerson Symphony Center located at the Arts District of downtown Dallas. As one of the largest performing arts organization in the Southwest, the DSO relies on financial stability (from endowment funds and donations) as a key element of its success. The DSO mainly focuses on repertoires of classical masterpieces, but it incorporates jazz, pop, and opera music as well. I must say I am excited to research and learn more about this precious enriching commodity the DSO has to offer as a Dallas music-culture.